This filter will be applied to the entire diptych, and not just an individual photo. The final step is accessed by tapping on the “Save” button, which then takes you to a screen where you can apply a filter to your collage. You can change this by tapping on the “…” button, and then dragging your finger along the color bars or the corner bars (you can go more sharp or rounded) in the popover menu. Each individual photo can also be tweaked by tapping on it - this brings up a popover with options for brightness, contrast, saturation, rotating, and flipping vertically or horizontally.īy default, the borders will be white, and corners are pretty sharp. You can freely move and zoom in on the images in each space through multitouch gestures, or you can replace them by dragging another image from the top into the area. If you select a layout with more spaces, the app will automatically drop in the next photos that you selected into the grid. You can choose the layout you want by scrolling horizontally at the bottom - there’s quite a variety to choose from. From here, you’ll start with the 1×2 grid, with the first two photos in the spaces. Once you have selected all of the photos you possibly want to use, tap on the “Done” button, and you will be taken to the next step. You can add as many photos as you want - Diptic PDQ won’t restrict you. You can change the album by tapping on “Camera Roll” at the bottom, or even snapping new photos directly from Diptic PDQ. When you launch Diptic PDQ, you’ll see the editing screen for a brief second, but then a menu drops down asking you to pick the photos you want to use from the Camera Roll. Diptic PDQ has been steamrolled with iOS 7 flatness, text-label buttons, and is more responsive than ever. Now, all of that is tossed out the window. Before, Diptic featured a plain looking UI that matched the previous iOS 6 aesthetics, all the way down to the bezeled buttons and whatnot.
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